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about
Katta is at the beginning of a new journey. Having conquered much of the traditional Classical world, she is now redefining the Church organ and using it like a the God Father of synthesizers, taking the listener into a new dimension via the big massive Prague Church where she is a composer and performer resident. Her non classical albums to come in the future will be some of the most exciting organ Church music ever to be made.
Inspiration Drop I
Artists and releases:
Schlindwein - Life & Death Choral
Eomac - Drip, Splash, Bubble & Flow
Katta - Sen I
Sebastian - Slow Arrival
Emika & Paul Frick - In Parallel III
Emika & Paul Frick - In Parallel IV ( Meeting Parallel Rework by CNCPT )
Release Date: September 18, 2020
Label: Improvisations X Inspirations
Formats: Digital + USB Card
Like Emika says in her description of the album, listening to traditional songs/albums can be overwhelming these days. I agree, which is why I've been listening to so much ambient music lately. Unlike a lot of the other artists in that genre though, Emika's work here is more experimental, hard-edged, and unpredictable. It's refreshing and thrilling. Can't wait for more. Jim Penola
At the crossroads of neoclassical and electronic music, i was deeply moved by these 7 tracks , the Emika's compositions and musical arrangements, this particular atmosphere and an incredible lyrical voice reminding Lisa Gerrard (Dead Can Dance). It transports you into an alternate reality of peace and equanimity (essential in these times !). Just Amazing ! mili1
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop. Bandcamp New & Notable May 2, 2024
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024
First, I really like Emika's electronic albums.
Klavirni: each track - like the main theme you really love in an entire opera score.
Klavirni Temna is more of the same, yet the advancement in Emika's playing and composition can be heard, in such a short time. I have no classical training whatsoever, but the progress seems plain to me.
I really like Melanfonie as well! How does she continue with such quality of output, such versatility, and be so prolific? I'm jealous!
My 7th Emika album. harddisco